Those who have been following Shane Embury’s career closely since the days of Unseen Terror’s Human Error back in 1987 may be less surprised by the largely accessible, melodic music of Bridge to Resolution than those who are aware of him only as Napalm Death’s bass player and a figurehead of the U.K. extreme music underground scene. There’s never been any shortage of diversity in Embury’s musical career, and it’s his work outside of metal, such as the shoegaze-ish indie noise rock of Little Giant Drug, his electronic dark ambient/drone project Dark Sky Burial and his association with art-rock veterans Cardiacs, that point most clearly in the direction he takes on the first album to be issued under his own name.
As the awkward phrasing above suggests,…

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