John Wiese‘s seemingly endless discography includes harsh noise cut-ups as well as more haunting, nearly cinematic experimental works. His group Sissy Spacek (who, quite amusingly, are vastly more prolific as a recording act than their celebrity namesake) might be best known for their extremist take on grindcore, stuffing dozens of abrupt noise bursts onto 20-minute albums. However, the band also have numerous works which explore musique concrète and free improvisation, as well as large-ensemble performances of works composed by Wiese. In the past, Sissy Spacek recordings have included input from Aaron Dilloway, Kevin Drumm, Matmos, and members of the Los Angeles Free Music Society. Entrance, consisting of four…
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