With the release of Kammerkonzert, Tom Jenkinson (Squarepusher) continues his career-long obsession with the intersection of human performance and machine-led precision. However, this 2026 offering marks a significant departure from the improvisational jazz-fusion of his previous eras, opting instead for a rigorous exploration of neoclassical structures through the lens of hyper-modern electronic synthesis.
The album is structured as a 14-movement suite, chronologically titled “K1 Advance” through “K14 Welbeck”. This nomenclature immediately signals a move toward a proto-classical framework, distancing the work from the club-oriented aesthetics of IDM. The “Kammerkonzert” (Chamber Concert) concept is not merely…

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