Laputa, a title taken from the fantastical floating island of Gulliver’s Travels is aptly named as ‘The album that never landed’ for, apart from a limited touchdown in Japan, Laputa was never released.
Laputa‘s obscurity was a prime reason Lo Recordings decided on the Skintone retrospective. Falling as it did between The Boy and the Tree on The Leaf Label and our own debut of Symbol. It was something of an audio crime that the album had never been properly explored and discovered.
Susumu Yokota makes albums that increasingly worry the boundaries of IDM, ambient and sound collage. Yokota has come at abstract music from the origin of being a house DJ in his native Japan, meaning that his sensibilities are not always aligned with those who balk at the cheesy…

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us

« »