Akira Kosemura‘s second volume of archival works testifies to the Japanese composer’s inexhaustible creativity. Since making his recording debut in 2007, Kosemura has produced a prodigious amount of work, not only solo recordings but scores for video games, television, and movies. It’s safe to presume that the nineteen pieces featured on Diary 2020-2022 are but a sampling of the total amount of material he created over that span. It’s a Kosemura project full stop, as it was composed, arranged, produced, and performed by him. One comes away from the release amazed at the seeming effortlessness with which music emerges whenever this entirely self-taught artist places himself in front of a keyboard.
That the pieces have been issued under…
Tag Archive: Akira Kosemura
…remastered edition with bonus tracks.
As the title suggests, Akira Kosemura‘s entrancing Polaroid Piano is a wistful meditation for minimal piano and field recordings, bleached out with old light. The glitchy electronics of Kosemura’s prior work are gone. The music is so hushed you can hear the action of the pedals, the keyboard shifting in the body of the piano. This quiet rumpus serves as a relaxed rhythm track — one suspects Kosemura mic’d the piano to capture these extraneous sounds, drawing them purposefully into the music. The gesture is Cagean, but the questioning, wonder-filled style is pure Satie. The cover art captures the mood perfectly, although a blue sky filled with kites and balloons would have been just as apt.
