“An integral factor behind the production of Abacab was Hugh Padgham, an engineer responsible for the ‘gated reverb’ drum sound that defined the 1980s. As a result, Phil Collins’ drums have incredible definition across this entire pressing. Tony Banks’ keyboards often reside upfront in the mix, occasionally creeping in and out three-dimensionally during the title track or lush chords filling up the soundstage on ‘Keep It Dark.’ A massive highlight is ‘Dodo/Lurker,’ where Mike Rutherford’s bass is at its deepest, and the varying tonality of Collins’ vocals gives the different parts of the track a distinguishable characterization.”
Certified multi-platinum-selling in several countries, including the United States and the United Kingdom, Genesis’ album Abacab…
Tag Archive: Genesis
“Nothng but manna from analog heaven can be found within the balance of Analogue Productions’ year-long-plus Atlantic 75 anniversary reissue series … but to my ears, the crème de la crème of the lot are all the reissuances culled from the prime, more progressive-leaning ’70s era of the Genesis catalog. … A few highlights to whet your aural whistle: 1) Mike Rutherford’s high-pitched, 12-string acoustic guitarwork and the overall rise/fall drama of “The Musical Box” (LP1, Side 1, Track 1, November 1971’s Nursery Cryme). 2) The full majesty of Tony Banks’ lengthy piano intro (and outro!) and Steve Hackett’s career-defining guitar solo on “Firth of Fifth” (LP1, Side 2, Track 1, September 1973’s Selling England by the Pound). 3) Peter Gabriel’s pleading lead vocals…
In Genesis’ incredible body of work, The Lamb Lies Down On Broadway is a landmark record. Originally released on 22 November 1974, at the pinnacle of their early success, it came at a pivotal point in Genesis’ history. It is rated as one of the greatest albums of its era and one of the most influential progressive rock albums of all time.
This 50th anniversary Super Deluxe Edition is a true celebration of a remarkable album that embraces the groundbreaking music, gives the whole band’s insight alongside evocative imagery and unseen photos. Ultimately it celebrates the huge magnitude of what this record is, which Alexis Petridis sums up perfectly in the opening paragraph of the liner notes… “Perhaps it makes sense that an album as complex as The Lamb Lies Down On Broadway…
In the spring of 1983, members of Genesis reconvened at their studio, named The Farm in Chiddingfold, Surrey, to start work on a new studio album, their first since Abacab (1981). Genesis became their first album written, recorded, and mixed in its entirety at the studio room; previously they had to write in an adjoining space. Having the group work in their own space without the additional pressure of booking studio time and fees resulted in a more relaxed environment. They were joined by engineer Hugh Padgham, who had also worked on Abacab,
AllMusic writes: “Moments of Genesis are as spooky and arty as those on Abacab – in particular, there’s the tortured howl of “Mama,” uncannily reminiscent of Phil Collins’ Face Value…