On their debut album together, post-punk trio the Messthetics and saxophonist James Brandon Lewis arrived at the same point by following two different paths. Lewis, a player grounded in gospel and post-bop, grew increasingly adventurous in the years after delivering Divine Travels to Sony’s revived OKeh imprint in 2014.
He became a crucial part of New York’s jazz and new-music community, where he met Anthony Pirog, an improvising guitarist who had teamed up with drummer Brendan Canty and bassist Joe Lally in their post-Fugazi project, the Messthetics. Pirog extended an invitation to Lewis to join the trio onstage in 2019, setting in motion a series of events that led the group to sign to storied jazz label Impulse! Records for its 2024 LP.
Tag Archive: James Brandon Lewis
James Brandon Lewis, a disorienting, self-possessed tenorist who has garnered a great deal of attention through his various projects and collaborations, returns with his fifth quartet album, Abstraction is Deliverance, featuring eight of his own compositions and a modal post-bop cover. Rejoining him are pianist Aruán Ortiz, bassist Brad Jones, and drummer Chad Taylor. Their rapport and musicianship are more compelling than ever, and their ability to transcend and marvel with spiritual consciousness, a mix of traditional and modernist idioms, and rich timbres is truly remarkable.
The album opens in a modal mode with “Ware”, a tribute to the much-missed saxophonist David S. Ware, radiating Coltranean overtones throughout. Resonant bowed bass, cymbal…