Across three Ghosted records Oren Ambarchi, Johan Berthling and Andreas Werliin have expanded the possibilities of the guitar-bass-drums trio with slippery yet rigid, kosmische yet earthy music that challenges the idea time exists in neatly parcelled, indivisible increments.
For Serpentine they’re joined by multi-instrumentalist Christer Bothén, who contributed Donso n’goni to Ghosted I’s opening track. Bothén’s first instrument is the bass clarinet. In the 70s he studied the donso n’goni, a six-stringed ‘hunter’s harp’ from the Wassoulou region in Mali, eventually bringing him into Don Cherry’s orbit. He’s also versed in Gnawa, learning guinbri in Marrakesh. This worldliness ripples through Bothén’s 1984 record Trancedance,…
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