Jolanda Moletta has been described as a “one-woman electronic choir”, creating wordless compositions or “sonic and visual spells”, as described on her Bandcamp, through extended vocal techniques. On her two previous albums, Night Caves (2025) and Nine Spells (2022), she created gorgeous, cavernous worlds with layers of impeccable singing.
On her third release, Oceanine, she expands her vocal universe through collaboration, with each track featuring a different female vocalist. At the same time, the foundational elements are generated entirely by her own voice.
Moletta’s Bandcamp page describes the record as “representing a musical practice that is distinctly feminist”. The album harkens back…