Schemes progresses from Kreidler‘s run of albums during the 2010s and ’20s which explore spaces informed by dub, funk, and Fourth World fusion. The tracks here are heavily spacious and atmospheric, yet rhythmic and kinetic. There’s pronounced grooves, but they saunter rather than drive. On a few songs, like opener “Beads,” there’s synth patterns or basslines that seem like they could be intros to dance tracks, but the group decide to hover in that space rather than move forward with a beat. Other tracks have drumming which is detached and unhurried, with airy guitar and synth sequences floating above the rhythms. “Bellboy” is a particularly curious track with haunting voices and a general feeling of a mischievous spirit snooping around.
Tag Archive: Kreidler
Early Recordings 1994-95 marks the first time that material from Kreidler‘s early cassette Riva and 12″ EP Sport have been compiled onto an album since they initially surfaced. On these releases, the newly formed Düsseldorf-based group established a very casual-sounding form of groove-based jamming, usually setting up strong but fluid rhythms and augmenting them with dubby echoes, shimmering keyboards, or other instrumental shadings. The Motorik style of earlier acts from the city like Neu! and La Düsseldorf clearly informs the band’s approach, but there’s other textures and influences that put the music more in the realm of the original wave of what journalists first referred to as post-rock during the ’90s. Though there are some studio-mixed overdubs, it…