Tag Archive: Max Richter


Inspired by the MaddAddam trilogy of Margaret Atwood, Max Richter’s latest is based on a score of his third collaboration with ballet choreographer Wayne McGregor following Infra (2008) and Woolf Works (2015), and is a representation of a world becoming devoured by industrial technology and commercial hostility.
In this developing dystopia, the survival of human emotions and of the natural environment are in doubt, but Richter’s emphasis on the evolution of a new humanity in response to mechanised terror is clear and heartening.
The opening track, “Wave After Wave”, stresses the notion of transformation as the beautiful theme from “Europe, After the Rain” from his first album, Memoryhouse (2002), is — nearly…

You need to be logged in to view the rest of the content. Please .

Composer and pianist Max Richter’s album Sleep Circle is the newly recorded and abridged version of Richter’s 2015 project Sleep. Sleep Circle is informed by the experience of his concert performances of the original album.
Today, Sleep has become one of the most streamed classical compositions, heard nightly by millions of people around the world. Over the years, Richter has not only performed the entire 8-hour long Sleep cycle for audiences lying in beds, ready to drift off into slumber, but he also began performing an abridged, 90-minutes long version in selected venues. Inspired by these concert experiences, this new abridged version Sleep Circle focuses on the movements within the composition that are more in the foreground, which makes…

You need to be logged in to view the rest of the content. Please .

From Academy Award® winning writer/director Chloé Zhao, Hamnet tells the powerful story of love and loss that inspired the creation of Shakespeare’s timeless masterpiece, Hamlet. Featuring powerful performances from Jessie Buckley and Paul Mescal, the film has already earned widespread acclaim, taking home the People’s Choice Award at the Toronto International Film Festival.
Discussing his work on the Hamnet soundtrack, Richter explained: “In composing the score, I used the basic elements of Elizabethan music—period instrumentation, grammar, and sensibility—but applied them in ways that emerge directly from the story’s psychology. Having read the script before shooting, I sketched ideas reflecting themes of familial love and loss, our place…

You need to be logged in to view the rest of the content. Please .