When two paths to ecstasy unexpectedly converged in the middle of the Mediterranean, Maxime Denuc’s Club Imperiale was born. Two years ago, the French composer was sent video footage of a bride and groom walking the aisle on the small Spanish island of Menorca, but it was the soundtrack, rather than the scenery, that made an impression: Instead of the standard nuptial accompaniment — Vivaldi, Bach, Celine Dion — the organist performed Denuc’s own “Infinite End,” a minimalist epic from his 2022 album Nachthorn. Encountering his own music reverberating through the church’s majestic limestone arches, Denuc experienced a vision of gleaming whitewashed chapels perched above azure seas. But the Balearic connection also brought to mind…
You need to be logged in to view the rest of the content. Please Log In.