Tag Archive: Paul Weller


Paul Weller may be something of a cult artist in the United States, but in his native UK and across Europe, he’s a well-deserved living legend. As a founding member of the Jam in the 1970s and the Style Council in the 1980s, he has taken listeners on a journey through punk, soul, jazz, folk, and whatever other styles he likes to try. Live settings are a great way to experience Weller’s music, usually because they put his electrifying on-stage presence on full display, allow him to cherry-pick some of the best songs from his long and varied career, and give him a chance to test out unique and surprising covers. Weller at the BBC, Vol. 2 accomplishes all of this in spades.
While Weller at the BBC was released in 2008 and covered the years 1990 to 2008…

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us

…The 10-track album includes rarities, deep cuts and B-sides, including blistering six-minute closer “I Work in the Clouds”.
“There have been few artists who have had a career quite like Weller’s – not least in his stunning move into kaleidoscopic experimentation in his middle age.
After last year’s impressive 66, he’s now returned with Find El Dorado, a covers album that’s much more than that: a “deeply personal new album of reinterpretations”, it shines a light on some of Weller’s own favourite songs, from the well-known – The Kinks’ “Nobody’s Fool” to the Bee Gees’ “I Started a Joke” – to the obscure – especially “Lawdy Rolla”, by French studio group The Guerillas.
To mark the new record, we’ve put together,…

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us

In a TV title sequence, former pop heartthrob Adam Faith, in a faded denim jacket and a feathered barnet, grabs an unattended black briefcase off the back seat of a parked limo and scarpers. But what’s this? Faith trips, the briefcase falls open and its payload of lovely lolly is cast to the winds – a low-rent callback to the denouement of Stanley Kubrick’s classic track-heist noir, The Killing.
The predicament of Faith’s character – Ronald “Budgie” Bird – is made more wretched by the show’s theme song, a mournful dirge voiced by a none-more-enervated singer who may or may not be The Kinks’ Ray Davies (the theme was released under the act name Cold Turkey in 1972) – although if it’s not him, it’s a good impression. Davies certainly wrote the tune,…

You need to be logged in to view the rest of the content. Please . Not a Member? Join Us