exystence club

…features previously unreleased tracks, B-sides and remixes from The Chemical Brothers, Massive Attack, Jagz Kooner, and Two Lone Swordsmen.
Whenever indie music seems lost in its own self-righteous, unchallenging, inoffensive fundament, Primal Scream rides in to try and save it all. So just as Screamadelica tried to encapsulate the importance of ecstasy culture, or Vanishing Point tried to exorcise their own insanity, here XTRMNTR is a nasty, fierce realization of an entire world that has also lost the plot. The album starts with a gloriously vindictive sample of a kid commanding “Kill All Hippies,” and this roughly states the album’s modus operandi. There are songs shouting with furious, feedback-splayed anger (“Blood Money,” “Exterminator”), songs…

…newly mastered by Matt Colon at Metropolis Studios (under the supervision of Bobby Gillespie and Andrew Innes) and features the original track list alongside a curated selection of B-sides and rarities.
Primal Scream found themselves in danger of losing their hip audience in the wake of their misconceived trad-rock record, Give Out But Don’t Give Up. As a reaction, they returned to the genre-bending, electronic dance-rock of the seminal Screamadelica for Give Out‘s follow-up, Vanishing Point. Instead of recycling the dazzlingly bright neo-psychedelia of Screamadelica, Primal Scream reaches deep into cavernous dub and ’60s pop. Vanishing Point is a dark, trippy album, filled with mind-bending rhythms and cinematic flourishes.