Tag Archive: Raphael Weinroth-Browne


A classical dimension has always been part of Raphael Weinroth-Browne‘s music, be it in the formal rigour of the compositional writing or the finesse of the Canadian cellist’s playing. It’s even more pronounced on his latest release, however, given that Empyrean is an album-length treatment of material created in 2024 for the James Wilton Dance company’s BACH Reimagined project. After touring his commissioned cello score with James and Sarah Wilton, Weinroth-Browne decided to shape it into what’s now the nine-part suite Empyrean. He’s not far wrong in pitching it as “a dialogue with Bach across the centuries.”
Don’t get the wrong idea: the album isn’t some mid-career pivot into classical, full stop; instead, it’s another of his…

You need to be logged in to view the rest of the content. Please .

While the cello might not seem the instrument most naturally suited to the progressive metal genre, its capacity for replicating vocal wail makes it an extremely effective conduit for its extreme emotional expression. On Lifeblood, the long-anticipated follow-up to his solo albums Worlds Within (2020) and Worlds Within Live (2021), renowned Ottawa-based cellist Raphael Weinroth-Browne demonstrates how effective the instrument can be when used in a metal context. Augmenting layers of acoustic cello (a 2012 model built by Raymond Schryer) with amplifiers, effects pedals, and on two tracks bass drum, the music exudes visceral fury from start to finish.
As his extensive discography shows, Weinroth-Browne’s a musician of immense range…

You need to be logged in to view the rest of the content. Please .