Shinichi Atobe’s arresting house and techno beams with inimitable candor, built from bright, phlegmatic loops that run on an eccentric internal logic. Now a quarter century into a career largely characterized by mystique and a seeming avoidance of the public eye, Atobe has spent the better part of the 2020s slowly opening up, with some bemusement. His laconic interview with Tone Glow in 2024 — most noteworthy for being the first time anyone had asked the alleged recluse to go on the record — revealed an artist with little interest in extended introspection or narrativization beyond a few quaint details. (His favorite hobby? “Sleeping.”) Accordingly, Atobe’s sound has evolved laterally over the course of the decade, reupholstering the artist’s quirks into a series of…