After the explosion of punk rock in the U.K., the underground split off in many directions including synth pop, dance punk, post-punk, new romantic, and many others. Most groups, no matter the style they played, were looking to experiment or make a statement, often political, and generally treated the pop charts like a curse to be avoided. Around the time that the 1970s turned to the ’80s, there were a number of groups and journalists who decided the time was ripe to remake pop music, not ignore it, and to storm the charts, not disdain them. Chief among the writers was Paul Morley in the NME and his thoughts helped direct many bands to set aside the gray abrasiveness of their music in favor of something shiny and technicolor that wasn’t built for student bedsits, but for…

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