…includes 9 bonus tracks of ‘Midnight Versions’ and rarities.
Marius Lauber’s debut album is in itself a feat of many surprises. The Cologne, Germany-based artist, who records and produces under the moniker Roosevelt, takes measures to make sure that this initial self-titled offering feels far from conventional, yet remains accessible to those who crave new sounds.
Upon first listen of the self-titled debut, Roosevelt’s origin should not surprise many diehards of electronic music, as the genre is very much rooted in the land of the Rhine, with forerunners of synthpop such as Kraftwerk and Neu! both hailing from the country. Roosevelt takes what made those early electro artists special and…
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This live recording captures the “Jazz at Berlin Philharmonic” concert celebrating 
Remastered 3CD boxset gathering together the three albums by Adrian Belew released by Atlantic Records between 1989 and 1992.
…’Congratulations I’m Sorry (Expanded Edition)’ is the 2026 definitive reissue celebrating the 30th anniversary of the Gin Blossoms’ multi-platinum third studio album. Originally released in 1996, this expanded version features the original 14 tracks alongside 5 bonus tracks.
‘Normalization’ in Czechoslovakia in the 1970s and 1980s was paradoxical: rather than a return to normality, it in fact meant renewed state control over society, culture, and public life. It followed the Prague Spring of 1968, which had grown out of the political and cultural relaxation of the 1960s, where under Alexander Dubček, reforms aimed to create ‘socialism with a human face’ allowed greater freedom of expression and artistic experimentation. The Soviet Union considered these reforms too radical, however, and in August 1968 Warsaw Pact troops invaded Czechoslovakia, bringing the reform process to an end.
Continuing Doctor Bird’s comprehensive anthology series of Lee “Scratch” Perry-produced singles, 
…the deluxe edition includes two previously unreleased demos from Coe’s earliest Nashville recording sessions with Shelby Singleton.
…includes the original album tracks supplemented by rare B-sides, remixes, and a pair of previously unreleased instrumental tracks.
As impressive as blues rocking guitarist Joanna Connor’s studio albums are, it’s onstage where she burns the brightest. Perhaps that’s why she has released a handful of live recordings after 1989’s debut, the first being Living on the Road (1993). But it has been sixteen years since 2019’s Live 24, and even though Connor’s most recent releases shepherded by longtime fans Joe Bonamassa (2021’s fiery 4801 South Indiana Avenue) and Mike Zito (the terrific 
On August 20, 1976, KISS performed in front of over 42,000 fans at Anaheim Stadium in California. It was the then-rising band’s largest audience to date; only three years earlier, the band had been performing to audiences of ten people. The band are now commemorating the 50th anniversary of a seminal concert with a new collection titled 
Sounds Like Art is an exciting new concert initiative that invites musicians to perform amongst works of art in a European museum of their choice. World-renowned artist Sting performs in the beautiful surroundings of Amsterdam’s Rijksmuseum amongst paintings by Rembrandt, Vermeer and Judith Leyster, and reflects on the works of the old masters.
Taking a cue from Happy Mondays‘ smash’n’grab approach to making music, this super-deluxe reissue of the group’s totemic third album raids an array of previous Mondays releases. Alongside a new remaster of Pills ‘n’ Thrills and Bellyaches is an amalgamation of the Madchester Rave On and Hallelujah EPs; Baby Big Head Bootleg Album, the “unofficial” 1991 live recording originally let loose by the band themselves; and a slew of remixes, some lifted from original singles, others from projects issued earlier this year.
Visions of Sodal Ye, is eerie and disorientating – the sound of ecological dread – and named for the prophet character in Brian Aldiss’ 1962 novel Hothouse, who realises that life on a far-future Earth is doomed. The record was released by a vanity publishing label who never said ‘non’ as long as they received a fee and a tape. While this should be inconsequential it reveals much about the French counterculture at the end of the ’70s.
Grief is a universal experience that no one can truly be prepared for, and one that each of us inhabits differently, in ways we are unable to control or predict. Written for Paula Ďurinová’s film Lapilli, 
…expanded version features the original 13 tracks alongside live bonus recordings from 1998.
…Arriving 26 years on from its original 2000 release by the Fuzzbox label, and after a 2003 reissue via Beggars imprint too pure, the album has been newly remastered by Sean Magee at Abbey Road Studios.