Category: *editions*


The mention of the name Greg Lake will immediately takes your thoughts back to his work with Emerson, Lake & Palmer, the band he formed with keyboard maestro Keith Emerson, and powerhouse drummer, Carl Palmer, with whom he recorded nine studio albums between 1970 (Emerson, Lake & Palmer) and 1994 (In The Hot Seat), as well as 1986’s Emerson, Lake & Powell with drummer Cozy Powell, a period which also saw him release his massive Christmas hit single, ‘I Believe In Father Christmas’. Besides that, and even before ELP, Lake had also supplied bass and vocals for Robert Fripp’s progressive rock behemoth King Crimson on its genre defining debut album In The Court Of The Crimson King (1969) as well as supplying vocals on its follow up…

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In 2004, Fairport Convention founder member, Judy Dyble emerged from a period of musical inactivity with the album ‘Enchanted Gardens’ which was a delightful collection of songs which were fitting for a new millennium, all with an immersive ambience that defied classification. This album was followed in 2005 by ‘Spindle’, another fine work which included a cover version of Pink Floyd’s ‘See Emily Play’ and featured guest appearances by Robert Fripp and former Hawkwind violinist Simon House.
Further recordings appeared as the album ‘The Whorl’ in 2006, another fine record which saw Robert Fripp and Simon House guest once more and also included an evocative cover version of King Crimson’s ‘I Talk to the Wind’.
With this music wonderful music unavailable…

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78 live performances on three CDs, 75 on CD for the frist time, 25 previously unissued in the US, and 20 more prevoiusly unissued anywhere.
There is no doubt Buck Owens and His Buckaroos were one of the biggest acts in the world from 1964–1974. Not only were they topping the music charts, they were filling concert halls worldwide. They were such a popular concert draw that many performances were recorded and released only in the corresponding foreign market. Unfortunately, much of that material never saw the light of day outside the country in which it was released. Until now.
Adios, Farwell, Goodbye, Good Luck, So Long: On Stage 1964–1974 is the first comprehensive look at this revolutionary time in music.

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It’s a blessing that a band with such a relatively short career (and terribly tragic ending) has an official live album to its catalog of recordings.
…Sourced from an audience recording and mastered by frontman Mark Sandman shortly before his untimely death of a heart attack onstage in 1999, Bootleg Detroit is 12 songs of the best prime-era Morphine had to offer, on tour in early 1994. The band was fresh off its breakthrough album, Cure for Pain, which was released the prior fall, and most of the set here is comprised of songs from that album. Seven of Cure for Pain’s 13 songs are represented here, along with two from the band’s debut, Good, and a couple extras.
The sound quality of these performances, being an audience recording, has been lamented…

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…At seventy five years old, Bruce Springsteen showcases an incredibly impressive amount of stamina hosting a nearly three-hour long setlist including classic hits and fan favourites amongst deep cuts – allowing a certain level of ambiguity as to what to expect from the E-Street band at each initial tour date. Bruce’s opening night at Anfield was no exception to his traditional precedent.
Deep cuts that don’t always make the setlist such as fan favourite ’Atlantic City’ made an appearance amongst the long and energetic set as well as a cover of The Top Notes – or more famously The Beatles – ‘Twist and Shout’ during the encore, honouring Liverpool’s very own legendary music scene.
Even watching from the stands, or in our case…

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Bruce & the E Street Band perform a 25-song set in Villeneuve-d’Ascq, France the first of two concerts. The show was part of the “Land of Hope and Dreams Tour,” which began May 14 in Manchester in the United Kingdom.
Highlights: 2025 additions “Rainmaker,” “House of a Thousand Guitars” (performed solo acoustic), and the show-closing cover of Bob Dylan’s “Chimes of Freedom” all appear; “Out in the Street” (last performed in 2023), “Atlantic City,” “The River,” and “Ghosts” return to the set.
…Springsteen delivered his statements of democracy, which included calling the Trump administration “corrupt, incompetent and treasonous,” Saturday, May 24, at the E Street Band’s concert at the Stade Pierre Mauroy…

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After the explosion of punk rock in the U.K., the underground split off in many directions including synth pop, dance punk, post-punk, new romantic, and many others. Most groups, no matter the style they played, were looking to experiment or make a statement, often political, and generally treated the pop charts like a curse to be avoided. Around the time that the 1970s turned to the ’80s, there were a number of groups and journalists who decided the time was ripe to remake pop music, not ignore it, and to storm the charts, not disdain them. Chief among the writers was Paul Morley in the NME and his thoughts helped direct many bands to set aside the gray abrasiveness of their music in favor of something shiny and technicolor that wasn’t built for student bedsits, but for…

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Peter Gabriel and band recorded live in the Big Room at Real World Studios on 23 November, 2003.
This intimate concert was for members of Peter Gabriel’s Full Moon Club and took place during a short run of live shows in November 2003 that also included a performance for the UK’s Children in Need charity at Cyfarthfa Castle in Merthyr Tydfil, a show at the Brighton Dome and the Nelson Mandela 46664 Concert in Cape Town.
The 14-song set draws on material from both the Growing Up Live tour of 2002/2003 – Gabriel’s first in 10 years that accompanied the release of his album UP – and the subsequent Still Growing Up Live tour that ran through much of 2004. Notable additions to the Growing Up Live set include Burn You Up, Burn You Down…

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In 1974, Mike Oldfield followed up his hit 1973 debut full-length Tubular Bells with the chart-topping Hergest Ridge. Five decades later, the English prog rocker is prepping a deluxe reissue of his sophomore album, the next step in Oldfield’s “first three” reissue series.
Set for release on June 27, the 2LP set is highlighted by Oldfield’s 2010 mix of Hergest Ridge, which is being pressed to vinyl for the first time. It also features a new half-speed remaster of the 1974 album mix by Miles Showell at Abbey Road Studios, plus new artwork and a new liner quote from Oldfield.
Hergest Ridge: 50th Anniversary will also be available as a Super Deluxe Edition special Blu Ray Audio that offers even more experiences…

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Legendary Southern rock band Lynyrd Skynyrd has released “Celebrating 50 Years – Live At The Ryman” – a live album and DVD capturing Lynyrd Skynyrd’s historic 50th anniversary concert at Nashville’s legendary venue in 2022. This special release is significant as it includes the final performance of founding member Gary Rossington, who passed away the following year.
The album showcases the band’s unparalleled energy, their distinctive blend of blues rock and southern hard rock, and is both a tribute to Rossington and a tribute to Lynyrd Skynyrd’s enduring legacy in music history. Special guests on the album include Jelly Roll, Marcus King, John Osborne (The Brothers Osborne), Brent Smith (Shinedown) and Donnie Van Zant…

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The Bluebells’ Sisters is a perfect snapshot of early ’80s “Sound of Young Scotland”: Glasgow indie pop with bittersweet spirit, sharp hooks, and heartfelt harmonies. Signing to the then-nascent London Records, and working with a procession of esteemed producers (including Elvis Costello who became a mentor and teacher to the band), The Bluebells enjoyed three UK hits in the 1980s (‘Cath’, ‘Young at Heart’ and ‘I’m Falling’) before touring widely throughout Europe and North America, developing their live sound and signing to Seymour Stein’s Sire Records in the U.S.
A decade later in 1993 that ‘Young at Heart’ hit the U.K. No 1 spot following its use as a T.V. advert for Volkswagen. Fast forward to this decade The Bluebells have reformed with…

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…contains singles, demos as well as a BBC session and three live shows from the era. Compiled in conjunction with Fall expert Conway Patton.
A mixture of lackluster performances and songs filled with vigor and fury, Middle Class Revolt is a puzzling proposition from The Fall.
After two opening tracks that seem ready to convince worried fans that Smith couldn’t care less (“15 Ways” and “Reckoning”) there follows the poppish “Behind the Counter” and their devilish cover of Henry Cow’s “War,” with Smith making up half the lyrics.
Other highlights include the furious “Hey! Student” (a rewrite of a 1977 tune, “Hey! Fascist”), and yet another Monks cover: “Shut Up!” All find Smith in fine form, impassioned and deeply sarcastic.

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Black Antlers comes with less of the mythos that attaches itself to other Coil albums. Where Time Machines, Loves Secret Domain, Horse Rotorvator and so on inspired nerdy obsessions with the eldritch mechanisms used to create them – a determined perpetual state of constant evolution and hedonistic experimentation via narcotics and pharmaceuticals, home studio tech, countercultural mining, occult practice and sundry other alternative states – Coil’s penultimate studio album superficially seems more ordinary. It is, after all, one where they embraced more conventional song structures, including the wonderful take on English folk staple ‘All the Pretty Little Horses’ and the same might have gone for their life outside music. In late-period Coil interviews…

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…features a remastered version of the original 1975 mix, a new unearth ‘extended’ stereo remix, plus disc of outtakes and rarities.
By the time Robin Tower’s For Earth Below was released a half-century ago, the former guitarist for Procol Harum had hit his stride creatively and commercially as a solo artist. Thus, the third album under his name began a process of refinement that, not surprisingly, involved a shift of personnel: ex-Sly Stone drummer Bill Lordan took over for Reg Isidore.
On this 50th Anniversary Edition of the album, the technical expertise of engineers Richard Whittaker and Phil Kinrade supplies spacious, well-defined sonics that mirror the precision of that musicianship. On both the remastered…

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On April 2, 1994, Bruce Springsteen scored his biggest ever UK singles chart hit, when ‘Streets of Philadelphia’ climbed to Number 2. In all, it spent five weeks in the Top 5 and a further two in the Top 10. Written specifically for Jonathan Demme’s landmark Aids movie Philadelphia, this shattering monologue from a dying man also went Top 10 in the US Billboard Hot 100, and proceeded to win four Grammy awards – including Song of the Year. It had already won the 1994 Academy Award for Best Original Song.
A case can be made for ‘Streets of Philadelphia’ as the song that saved Bruce Springsteen’s career. It certainly returned to him a substantial measure of the critical and commercial status he’d lost with the 1989 break-up of the E Street Band…

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Four unique top-flight European jazz pianists, each with limitless freedom of expression. Limitless joy too for the audience in the completely full main hall of the Philharmonie Berlin. But perhaps there is also something even more im-portant here: music’s unique power to unite people.
It was this intense magic that brought the Jazz at Berlin Philharmonic series into being. At the first concert in 2012, there were three pianists: Iiro Rantala, Michael Wollny, and Leszek Możdżer. It all started as a one-off experiment, a specially curated jazz concert at the classical music temple, the Philharmonie Berlin. But that was just the start: this unique series of concerts and recordings has gone from strength to strength.
More than a decade later, Rantala, Wollny, and…

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