Welsh hard rockers Budgie are often cited as one of the first U.K. heavy metal bands, known for their dark, blues-infused sound built from gloomy melodies and fierce guitar riffs. Along with Led Zeppelin and Black Sabbath, Budgie made music that hit harder than their peers, and without the smiling disposition that was common among bands of the psychedelic era.
Budgie’s 1978 offering, Impeckable, is a very uninspired affair, lacking both the adventurous songwriting and refreshing sense of humor characteristic of the band’s early records. The group continues exploring its funk obsessions on “Dish It Up” and “Love for You and Me” while shelling out boring metallic riffs on “Melt the Ice Away” and “Smile Boy Smile.”
Category: *editions*
…Oasis have released a 25th anniversary reissue of their Wembley Stadium live album ‘Familiar to Millions’. The recording of their iconic July 21 2000 show at the London venue was released in November of that year, marking their first ever official live album. Now, the record is being reissued in limited edition formats in both 2CD and 3LP formats.
The Gallagher brothers’ boundless, boorish, boasting bluster and blather only felt like brazen British working class moxie as long as they made great records that backed up their obnoxious arrogance. So when the songwriting fell off the last six years, on the bloated Be Here Now and Standing on the Shoulder of Giants, it was like watching helium hiss out of an overstuffed…
Pavement took different forms on each of the five albums they released during their initial hot streak in the ’90s, setting the tone for both the indie rock of their day and all that followed with each iteration. While their album output was relatively scant, the impression they made was outsized, and their combination of songwriting excellence and genre-defining laconic style made for multiple classic tunes on most of their albums. Hecklers Choice: Big Gums and Heavy Lifters is like a best-of compilation, and not Pavement’s first. In 2010, Quarantine the Past collected over 20 of the band’s best-loved and most-requested songs, making for a playlist that omitted a lot of the experimental sidetracks and oddball moments that showed up on most of the albums.
Rebuilding is a poignant new film about recovery and resilience from American director Max Walker-Silverman and starring hot property Josh O’Connor as a stoic rancher looking to rebuild his life after a wildfire destroys his land. A quiet and sensitive picture, the makers decided the artist to bring its musical side to life was folklore forager and discerning composer Jake Xerxes Fussell, who in turn enlisted the services of producer and musician James Elkington to share the load.
This power couple have plenty of proof of their productivity, most recently with Jake’s lovely When I’m Called album, which James produced and played on, plus 2022’s Good and Green Again, with James in the chair again. For this project, the pair collaborated remotely until…
Winner of the Golden Lion Best Film prize at the 2025 Venice Film Festival, Father Mother Sister Brother is the eagerly-awaited new film from Jim Jarmusch, featuring the collaborative soundtrack by Anika and Jim Jarmusch. Funny, tender and astutely observed, this is an intimate exploration of the universal intricacies of family dynamics. Starring Tom Waits, Adam Driver, Mayim Bialik, Charlotte Rampling, Cate Blanchett, Vicky Krieps, Indya Moore and Luka Sabbat.
Jim Jarmusch and Anika first crossed paths at the Sacred Bones 15th Anniversary celebration in 2022, where both Anika and SQÜRL performed. Jim was immediately struck by Anika’s performance, while Anika admired Jim as a mentor who had stayed true to his unique vision throughout his career.
Including sessions recorded by Art Pepper for Savoy from 1952-54 Surf Ride was originally released in 1956. Featuring three groups of players, the album collects twelve, mostly Pepper composed, cuts including “Holiday Flight” – with Pepper’s playing throughout on superior form. This new edition of the album is released as part of the Original Jazz Classics Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.
The music on this Savoy LP is quite brilliant, but the packaging leaves something to be desired. The recording dates are all incorrect and there are only 12 performances included (around 37 minutes). There are quartet outings with either Russ Freeman or Hampton Hawes on piano and tracks…
To understand Doves’ enduring appeal, one must look past the anthemic sweep of their sound and into the nuanced poetry of their lyrics. Their songwriting achieves a rare balance, framing intimate battles of love, loss, and resignation against a gritty, panoramic Northern backdrop.
It is this duality that allows their words to transcend the typical swagger of British rock: “Son, what have you done; you’re caught by the river; you’re coming undone…” (Caught By The River) stands out for its harrowing elegance.
Whether capturing fleeting acceptance; “If this is our last Summer, why should we care?” (Snowden). Or the sudden jolt of time passing;“You turn around and life’s passed you by…” (There Goes The Fear). They ensure their melancholic heart…
A new box set highlight Propaganda’s significant legacy within the history of synth-pop. The Düsseldorf group’s work for the Zang Tuum Tumb label will be the focus of the new 6CD set A Secret Sense of Rhythm, A Secret Sense of Sin (The Complete ZTT Propaganda).
Propaganda was the first band to sign to ZTT, the label co-founded by Trevor Horn, whose music as a member of the Buggles, Art Of Noise, and Yes plus extensive production work earned him stature as one of the key architects of 1980s music. In their earliest recordings, captured for ZTT between 1983 and 1985, Propaganda were crucial contributors to that moment, as chronicled on the new anthology.
Disc 1, Secret, focuses on Propaganda’s 1985 debut album A Secret Wish, which featured…
…Jim Staley on trombones, Ikue Mori on electronics, and John Zorn on alto saxophone.
Friends and musical cohorts since the early ’80s, these three master improvisers come together to perform a freewheeling set of outrageous and mind-blowing improvisations. Recorded at Roulette, founded in 1978 and one of New York’s most adventurous venues, the music is full of surprising twists and jumps from one mood to another with mercurial synchronicity. Dedicated to the memory of Downtown theatrical genius Richard Foreman, Alchemical Theatre presents nine pieces of telepathic, counter-intuitive New York improvisation by three legendary figures of the Downtown scene.
Bête Noire was the follow up to 1985’s Boys and Girls and was co-produced with Patrick Leonard (who had worked with Madonna on her True Blue album and would later co-produce 1989’s Like A Prayer). Johnny Marr was amongst the contributors to Bête Noire, whose singles were ‘The Right Stuff’, ‘Kiss and Tell’ and ‘Limbo’. Only ‘The Right Stuff’ troubled the UK top 40, peaking at No 37.
For the 2025 reissue Bête Noire is released as a 2CD deluxe edition and on purple vinyl. The second disc of the 2CD set offers remixes and edits from the original singles. This appears to be mostly comprehensive, with the exception of a small number of ‘Limbo’ versions, and extra points go to BMG for putting together a ‘listenable’ running order (not grouping remixes of the same…
Some time after Crowded House frontman Neil Finn indicated potential work being done with the catalogue of Split Enz – the cult-hero pop band co-founded by his older brother Tim – fans finally have some development on that front, with the first in a planned series of archival sets covering the group’s early, avant-garde years.
Enzyclopedia Volumes One and Two will focus on the group’s early years, coalescing around the material leading up to 1975 debut Mental Notes, which celebrates a half-century this year. The 5CD set feature remasters of Mental Notes and its sort-of follow-up Second Thoughts, a rework of the Mental material with Roxy Music’s Phil Manzanera in the producer’s chair. Second Thoughts will also be newly remixed for the set…
…2025 Kevin Vanbergen remaster.
Serving as an introduction to the U.S. market, Gala compiles the band’s first three EPs and adds a couple outtakes. One thing that went overlooked about Lush was their ability to veer from violent and edgy noise breaks to pop effervescence. They were always capable of spewing out Saturday morning glow and Sunday evening doom from song to song. Their early reliance on sheets of distortion, buried vocals, and production issues didn’t help this situation. As a result, their out-the-gate raw talent went rather unnoticed, evidenced on their earliest works. Scar demonstrated their under-appreciated diversity immediately. “Thoughtforms” is an example of their heavenly pop greatness, with the vocals sweeter and…
…contains a new remaster of the original album plus eight original demos, two new mixes, various B-sides and rarities, and a previously unreleased concert recorded at SHIBUYA-AX in Tokyo in March 2001.
Green Day’s sixth album, 2000’s Warning, arrived nearly three years after the band’s multi-platinum Nimrod. It built on the expansive sound of Nimrod by incorporating even more varied textures drawing on pop and folk styles. Now, 25 years later, Billie Joe Armstrong, Mike Dirnt, and Tre Cool are revisiting Warning in a new Super Deluxe Edition.
With longtime producer Rob Cavallo moving up to the executive producer’s position, Green Day self-produced Warning – their first self-produced major label effort. (R.E.M. producer…
…The box include an expanded version of the album (remastered from 1/4″ production master tapes by Chris Athens and including one B-side and two newly-mixed outtakes) alongside the “lost” album Tallest plus a set of unreleased studio and live sessions.
The Crowes – then consisting of Chris Robinson on vocals/harmonica/guitar, Rich Robinson and Marc Ford on guitar, Johnny Colt on bass, Eddie Harsch on keyboards and Steve Gorman on drums – were flying high from the start of their major-label career on Rick Rubin’s Def American (shortened to American Recordings the year Amorica was released). Shake Your Money Maker yielded pop crossover hits in “She Talks to Angels” and a rousing take on Otis Redding’s…
…features a brand new mix by Steven Wilson, alongside a six track disc of previously unreleased recordings, including the Jagger/Richards composition “I Love Ladies“, plus a take on Shirley & Company’s “Shame, Shame, Shame”. Also included are four Stones instrumental jams from the 1975 sessions featuring the guest guitarists. The set also includes a full live concert recording from the band’s celebrated six night residency at London’s Earls Court Exhibition Centre in May 1976, where they were joined onstage by Ian Stewart, Billy Preston and Ollie Brown.
…Black and Blue marked the Stones’ rebirth in the wake of Mick Taylor’s departure from the band. As a result, Keith Richards took on the lion’s share of the guitar work while the group…
…features the 15-track album remixed by its original producer David Barbe and remastered by Greg Calbi. The new collection includes the previously unreleased double album Heathens Live at Flicker Bar, Athens, GA – June 20, 2002.
For a musician, the trouble with making your best album is you have to figure out a way to top it next time out, and that isn’t always easy. On their first three albums, the Drive-By Truckers were a better-than-average band from the harder-and-faster end of the alt-country spectrum who blended Replacements-esque snot and slop with a Lynyrd Skynyrd-influenced shot of twangy hard rock. But it was when the Truckers confronted the ghost of Skynyrd as well as the often confusing legacy of both Southern rock and what…
