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Conscious Party, Ziggy Marley & The Melody Makers’ Grammy-award winning album, is being reissued on vinyl and digital. This is the first vinyl pressing of the album since its initial release nearly forty years ago in 1988. Ziggy Marley & The Melody Makers was founded in 1979 by four of Bob Marley’s eleven children: Sharon, Cedella, Ziggy, and Stephen. They cut their third album at Sigma Sound in New York City with producers Chris Frantz and Tina Weymouth (Talking Heads, Tom Tom Club.)
Conscious Party was released on April 5th, 1988, and charted at number 23 on the Billboard 200. It spawned multiple successful singles, including number one Billboard R&B chart hit “Tumblin’ Down” as well as “Tomorrow People”…

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One of the highlights of the King Crimson 50th anniversary CD/Blu-ray editions to date has been King Crimson producer David Singleton’s series of Elemental Mixes as he uses the full spectrum of available studio sessions for each album to produce very different takes on the familiar songs and pieces.
Speaking about the Elemental Mix approach, David Singleton said: “Ever since the concept of an Elemental mix was first suggested, I have approached these with equal measures of hate, dread and love. Dread and hate because you are, in effect, staring at a perfect jigsaw (the finished version of the Mona Lisa) wondering how you might roll back the years and get closer to the moment of creation – often by finding…

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There are live albums that document a band at a particular moment, and then there are those that feel like the closing statement of an entire era. Newly Sentient Being belongs firmly to the latter category. Capturing the final concert of Swans’ “Big Sound” era, this monumental release brings together more than two and a half hours of music that sound less like a farewell than the last transmission from another dimension.
For fifteen years, Swans developed an increasingly immense musical language built on repetition, volume, tension and transcendence. Newly Sentient Being brings that journey to a powerful conclusion. The performance constantly shifts between passages of almost heavenly beauty and brutally physical eruptions of sound…

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For his accurately titled fifth album, Leon Bridges linked with producers and multi-instrumentalists Lydia Kitto and Josh Lloyd-Watson, two-thirds of Jungle. Mutual admirers, Bridges and Jungle had been running into one another at festivals and other gigs. Coming off two of his most ballad-heavy efforts with Gold-Diggers Sound and Leon, Bridges had an eye toward making a more uptempo set of material to get him dancing on-stage again. Who better to enlist than members of a high-profile band known for creating a party-like atmosphere with lively material that is essentially modern disco? Kitto and Lloyd-Watson brought their knowledge of vintage dance music, the high energy, the horns — the organic works, essentially — and Happiness Anytime…

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Following the much-loved Library Music: Volume One (2022), and hot on the heels of this year’s critically acclaimed After the Rain, Strange Seeds, London group The Leaf Library return with a second journey through the margins of their catalogue. Gathering together rare recordings, compilation tracks, limited edition releases, collaborations and hidden gems from their ever-expanding musical world, Library Music: Volume Two is another vibrant and varied collection of electronic indie pop, in all its guises.
Far from a conventional odds and ends collection, the double LP compilation reveals another side of a band who have always treated the spaces between albums as places to explore. These are the moments where ideas stretch out; there…

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Following the pop-dance showcase ‘EFM’, Jack Latham returns to his Jam City project with stripped down funk, chewed-up Prince-style R&B, vintage electro and simmering disco house.
We’ll tell you now, My World isn’t a follow-up to 2012’s landmark ‘Classical Curves’, but it’s an enjoyable enough listen – even if you weren’t convinced by its predecessor. Latham’s kept himself busy since 2023 jobbing as a producer, working with Kali Uchis and Olivia Rodrigo after architecting Yachty’s move towards psychedelia on ‘Let’s Start Here’. So his world in 2026 is very different from ours – and certainly different from the landscape that inspired ‘The Courts’. Latham’s current reality is best summed up by the brief instrumental ‘Cash Fast Interlude’…

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Mary Gauthier was something of a late starter, delivering her first album when she was in her late thirties but she has become one of americana’s most distinctive songwriters over the years since she started recording her songs in 1997.
But let us go back for a short resume of her life, because it informs her songwriting and her later music. Mary Gauthier was born in New Orleans in March 1962 and adopted as an infant by a couple in Thibodaux, Louisiana – the father was an alcoholic and there was little emotional attachment to her as a child. She ran away from home at fifteen and stole her parents’ car, spending the following years passing through drug centres, so-called halfway houses, and friends’ couches, often under the strong influence of drink and…

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Northern California–born songwriter Meg Lui has lived in the rural Catskills for over a decade, but her classic-rock and freewheeling folk-pop songs are pure West Coast sunshine.
Her debut album Instant Validation finds Lui partnering with Asthmatic Kitty Records head Sufjan Stevens beyond the record’s production and instrumental work: Over the course of a full year, Lui and Stevens—who also moved Upstate a few years ago—worked on the perky LP whenever they had stretches of time together. The song suite has a dreamy ’60s and ’70s breeziness to it, largely due to Lui’s voice, which may be familiar to listeners from her backing vocal work on Stevens’ Javelin, John Legend’s My Favorite Dream, and labelmate Denison Witmer’s Anything at All.

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Over the course of twenty recordings as a leader, JD Allen has consistently pursued new avenues of musical exploration. For his fifteenth release for Savant, he has chosen a path that is at once new and ancient. Inspired by NEA Jazz Master pianist-composer Randy Weston’s explorations, JD has immersed his artistry in the musical culture of the Gnawa, the vibrant spirit-music brotherhood of North Africa. About the Gnawa, Weston told this writer for his autobiography, AFRICAN RHYTHMS (2010, Duke University Press), “The Gnawa people and their music represent one of the strongest spiritual connections I’ve ever experienced. The Gnawa actually have a close kinship with African Americans; they’re our brothers and sisters. Their ancestors came from the same…

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Though still in her twenties, Caged Bird by New York-based vocalist, songwriter, and bandleader Ekep Nkwelle‘s (Eh-kep In-kweh-leh) — her Mack Avenue debut album — has been a long time coming. Her startling multi-octave range has appeared with a range of artists including the Jazz at Lincoln Center Orchestra, Kenny Barron, Joel Ross, and New Jazz Underground.
The title references Maya Angelou’s I Know Why the Caged Bird Sings, but also Abbey Lincoln’s “Caged Bird” that’s interpreted here. Throughout, the music crosses jazz, gospel, and blues, connecting standards and other material through distinctive phrasing. Nkwelle is accompanied by her touring band that includes pianists Luther S. Allison (tracks one and two only) and…

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…features five “brand new recordings based on original folk tales handed to The Residents by The Mysterious N. Senada” in the 1970s, as well as a bonus sixth track, “The Arctic Fox”.
In the 1970s, as The Residents worked on their ‘Eskimo’ masterpiece, their mentor The Mysterious N. Senada sent them a collection of handwritten Inuit folk tales, suggesting they incorporate them into the album. But the group shelved them, having gathered more than enough stuff themselves by that point, leaving them to gather dust.
Here and now, almost 50 years later, The Residents have revived those folk tales as part of their forthcoming ‘Eskimo’ live performance, blending them with familiar elements of the original ‘Eskimo’ album and new music to produce…

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Chloé Caillet‘s career as a dance music producer and DJ took off during the 2020s, as she landed residencies at Ibiza and released several floor-filling club anthems rooted in classic ’90s house and rave, including collaborations with SG Lewis and Luke Alessi. Dance Again marks her first release for Ninja Tune, and it adds to her repertoire of fun, ecstatic dance tracks with a bit of a French touch, as well as traces of surging Euro-trance and propulsive electro.
Opener “Lemme Dance” is a commanding, “get on the floor”-type song featuring Ed Banger affiliate Myd, and “Bad Bara” is a perky number with playful, tongue-twisting vocals from Yuuko that bring to mind the Tom Tom Club’s “Wordy Rappinghood.” Alessi returns for “Change,”…

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After following up her alienated alt-rock debut with the darker, more existential If You Asked for a Picture, Blondshell (singer and songwriter Sabrina Teitelbaum) headed to the studio for the third straight time with producer Yves Rothman (Kim Gordon, Cherry Glazerr). The resulting Violins — so titled to capture the coexistence of violence and beauty in the world, its overarching theme — is her most ruminative set of songs yet. While the album includes quite a few fuzzy rockers, they’re of a midtempo, melancholy nature, including the opening title track, a borderline power ballad about the slow nature of healing from trauma (“It takes all my focusing/It’s like watching paint/Wait, what’d you say?”). Also falling in this category is lead single “Heart Has to Work So Hard,”…

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Smidley, the project named after Conor Murphy’s childhood dog, is back with its third LP, Murphy Horse. The project is a blend of genres and styles, emphasizing his creativity and experimentation. He masterfully dances between jazz, indie pop, acoustic music, ’80s new wave, and more, creating a tension that draws you deeper into the record, wondering what will be revealed on the next track.
Take the opening song, “Corpse Flower.” It has so much texture and tension. Just when you feel like you have its direction pinned down, it switches and swaps. Beginning on saxophone with elements of jazz, a subtle genre undercurrent that runs throughout the album, it braids into this hazy, atmospheric blend before settling into a beautiful moment on the keys.

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Two minutes into “The Juice,” a standout from the Mary Wallopers’ third album Paddywhackery, Andrew Hendy delivers a manifesto: “Dance to your daddy, and rosin the bow/ This is Irish rock’n’roll.” The line namechecks two old Irish trad songs, and recontextualizes them in the world the Mary Wallopers have spent the 2020s building, one where the long history of Irish folk is not a curiosity or an academic exercise, but a vital and living form of defiance. As soon as Hendy delivers the line, the band lights into an extended, intensifying instrumental passage proving that jigs and reels can, in fact, rip.
Anyone who’s been to Ireland and come across a raucous session in a pub knows that already. But in their career thus far, the Mary Wallopers…

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The MOFO Project/Object is an album by Frank Zappa. The album was announced by the Zappa Family Trust in mid-2006. It commemorates the 40th anniversary of Zappa’s first album, Freak Out!.
It documents the making of Freak Out! featuring previously unreleased material. Critics and hardcore fans widely praise The MOFO Project/Object as an essential archival release.
It brilliantly highlights Zappa’s pioneering studio genius and avant-garde vision well before the era of modern digital editing. While casual listeners might find the deep-dive session tapes and raw component tracks a bit heavy for a single sitting, for prog-rock historians and dedicated Zappa aficionados, it is a masterclass in musical archaeology.

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Craft Recordings reissue The Bluegrass Album, the 1981 debut studio recording from The Bluegrass Album Band, in a remastered edition on vinyl and digital platforms. The release brings together guitarist Tony Rice, banjo player and vocalist J.D. Crowe, mandolinist Doyle Lawson, fiddler Bobby Hicks, and double bassist Todd Phillips, marking the first vinyl reissue of the album since its original release. The new edition arrives in what would have been Rice’s 75th year and features all-analog mastering with lacquers cut from tape by Kevin Gray at Cohearent Audio, alongside standard and hi-res digital audio. The all-star project features a who’s who of bluegrass luminaries, including Rice, J.D. Crowe, Doyle Lawson, Bobby Hicks, and Todd Phillips (collectively known…

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Pop music is a game where reinvention is a vital part of the process in the 21st century, and Orville Peck knows that as well as anyone. Transforming himself from a talented but unknown Canadian indie rocker to a bigger-than-life gay cowboy icon with a voice and a swagger as big as all outdoors was no small accomplishment, and as strong as his work has been (especially 2019’s Pony and 2022’s Bronco), the albums were about a character he created as much as the man who actually created them. 2026’s Mule represents a significant change for Peck, as he’s opted to give us a look at the man literally and figuratively behind the mask. He was hardly the first artist to discover fame is harder work than expected, and he found himself struggling with drug and alcohol…

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